纳斯达克艺术品收藏推荐指南——中国艺术家·赵家松

赵家松，安徽省巢湖市人。自幼爱好文艺。后在从事法律服务工作之余，潜心研习中国花鸟画，尤喜文人画。艺术人生其学画伊始，以孙其峰的小写意花鸟为蓝本，细心揣摩，潜意精研。后又遍览任伯年、吴昌硕，潘天寿诸大家，采拮其中适合于己的元素，终于有了一点点自己的心得和感悟，并将此诉诸毫墨，写其眼中所见，抒其心中所向往，一意孤行而至于今!学画至今，多次参加省内多种画展，并相继加入安徽省青年美术家协会成为其会员、巢湖市美术家协会并选任理事、南京艺海潮书画院、安徽省书画研究会等专业美术组织。在其向往的美术领域取得了一定的发展和突破。2021年中国艺术家春晚形象大使，全国两会专刊特辑艺术家;作品在人民日报华语版，欧洲版登载。

Zhao Jiasong is a native of Chaohu, Anhui Province. Love literature and art since childhood. After working in legal services, I devoted myself to the study of Chinese flower-and-bird painting, especially literati painting. At the beginning of his art life, he took Sun Qifeng’s small freehand flowers and birds as the blueprint, carefully studied and studied. After reading Ren Bunian, Wu Changshuo, Pan Tianshou all the people, pick the element that is suitable for oneself among them, finally had a little bit of his own experience and feeling, and will appeal to this ink, write what is seen in its eyes, express what is in its heart, and as for today! Up to now, he has participated in a variety of exhibitions in the province for many times, and has joined Anhui Province Young Artists Association to become its member, Chaohu Artists Association and elected director, Nanjing Yihai Chao Calligraphy and Painting Academy, Anhui Province Painting and calligraphy Society and other professional fine arts organizations. It has made a certain development and breakthrough in the field of fine arts. 2021 Chinese Artist Spring Festival Gala Image Ambassador, National Two sessions special issue artist; The works have been published in the Chinese and European editions of People’s Daily.

作品赏析：

笔墨生趣气韵萧逸——记著名画家赵家松
中国画在数千年的传承过程中，文人画是丹青文化传承的主流。宋人倡戏墨，是文人画技成熟的标志。明人开始画禅，是文人画内涵丰满的标志。当代著名画家赵家松先生，琢磨画道，追源溯本，师宋人，师明人，醉心于文人画的传承与创新，让当代文人画的精神和品位成为古今永传的典范。他的人文画法，深师两宋，所以非常重视笔墨的表现力。画梅兰竹菊，娴熟于骨法用笔，修成了应物象形的好功夫。
长勾短勒，一任滑畅，毫无结滞。长线条以书入画，带有鲜明的书写性!短线条顿挫有效，不生凌乱。每一根线条都做到了结组有序，刚柔相济。不见一笔有弊，没有一根线条成为散兵游勇，把中国画以线条造型的核心本质表现得无以复加。纵观当代画坛，中国画渐失笔法的问题已成流弊，画画笔法缺失，不谓画画，而是“描画”。线性无精神，画风糜糜，让中国画迷失了中国画的身份。
反观赵先生的花鸟作品笔力鼎健，刚柔相济，锋纤往来，八面有势，必由衷感怀：传统画法之渊妙，精彩于笔法的法度，代不绝人!
在用墨赋彩上，赵先生写意花鸟也独有匠心，深师传统且心随时代，有随类赋彩气韵生动的好意象。以水为道，以墨为器，知水性而不使与墨争，水分调墨恰到好处，落墨和谐，铺陈苍润。与清代诸家的水墨焕神气象一脉相传，有吴昌硕设墨的浩莽质感，有八大设墨的劲卓，亦有郑板桥设墨时强烈的对比感。
法效前贤，不失自我，浓淡干湿焦，可以皴积八层十层，不会一踏糊涂，仍旧是层次分明，氤氲悦目。也可以破墨。水破墨，墨破水，淡墨破浓墨，对水性、墨性、笔性、纸性皆是了若指掌，洇湮效果如梦如幻。虚实相生，气韵生动，令人感叹此用墨之法，正是径入画道的玄妙!
再轻赋胭脂浅绛，就生成了画风当随时代的时尚感。色不碍墨，墨不碍色，当代文人画写意天成，不画呆板的形式美和气韵美跃然纸上，雅俗共赏，极有当代审美的张力。
不恨今人不识我，只恨古人不见我，若把他的画与八大的画放在一起对照，可见师于古人而不拘泥其间的创新动能非常足。这种当代文人画的文化卓建，恰是妙中增妙，新中更新的典范。
先生作画有不求为佳反为最佳的可贵格局。主营法律服务，丹青为痴迷。所以入得丹青之门，无有刻意制作的念想，画画创作的机缘生于兴趣，成于才华，超脱于画性，是天然悟画道的天质自然。每每执笔作墨无挂碍，写意墨白非妄想，经过写生的视觉经验触动，创作文人画的生动，最有雅风，极见趣味。
笔墨生趣，气韵萧逸。画禅风，写道一。画里是技法的娴熟，画外是儒释道的合成。每一件作品都可入得了庙堂，也可悦得了大众，一派文人风吟的自然主义画风。于是，他的文人画尽可以成为助力丹青文化龙脉传承的正能量!——林智贤(科普作家、一级书画评论家)

Brush and ink life is interesting and elegant — A record of the famous painter Zhao Jiasong
In the process of Chinese painting inheritance for thousands of years, literati painting is the mainstream of Danqing culture inheritance. The Song Dynasty initiated the play of ink, which was the symbol of the literati’s mature painting skills. The Ming Dynasty began to paint Zen, which is a sign of the rich connotation of literati painting. Zhao Jiasong, a famous contemporary painter, thought about painting, traced back to the source, learned from the Song Dynasty and the Ming dynasty, and was fascinated by the inheritance and innovation of literati painting, making the spirit and taste of contemporary literati painting a model that has been passed down from ancient to modern times. His humanistic painting was deeply taught in the Song Dynasty, so he attached great importance to the expressiveness of brush and ink. Painting plum orchid bamboo chrysanthemum, skilled in bone method with the pen, should be a good kung fu.
Long hook short, a smooth, no stagnation. Long lines to the book into the painting, with a distinct writing! Short lines are effective, not messy. Each line is finished in order, rigid and soft. Not a brush has disadvantages, not a line to become a straggly soldier, the Chinese painting to the core essence of line modeling performance. Throughout the contemporary painting circle, the problem of the gradual loss of brushwork in Chinese painting has become a commonplace. The lack of brushwork in painting is not called painting, but “painting”. Linear spirit, painting style, let Chinese painting lost the identity of Chinese painting.
Looking at Mr. Zhao’s works of flowers and birds, the strokes are strong, rigid and soft, and the front and fiber are in contact with each other. The eight sides are powerful, and I will be sincerely impressed: the deep beauty of the traditional painting method is wonderful, and the law of the brushwork is wonderful.
In the use of ink color, Mr. Zhao freehand brushwork flowers and birds are also unique ingenuity, deep in the tradition and the heart with The Times, with the kind of color charm vivid good image. With water as the road, with ink as the device, know the water and do not make the ink and ink, water ink is just right, ink harmonious, smooth Cang run. In line with the spirit of the ink painting of the Qing Dynasty, Wu Changshuo has the vast texture of ink, eight strong ink, and Zheng Banqiao has a strong sense of contrast when he set ink.
Law effect before Xian, do not lose self, dry and wet coke, can cun eight layers ten layers, not a step confused, is still hierarchical, dense and pleasing to the eye. You can also break ink. Water broken ink, ink broken water, light ink broken thick ink, on water, ink, ink, paper is if the palm of the hand, red submerged effects. Virtual and real life, vivid spirit, people sigh this method of using ink, is the mysterious path into the painting way!
Then light rouge light crimson, the generation of painting style should follow the fashion sense of The Times. Color does not hinder ink, ink does not hinder color, contemporary literati painting freehand brushwork, not rigid formal beauty and charm of the beauty of the paper, elegant and popular, very contemporary aesthetic tension.
I don’t hate that people today don’t know me, but I only hate that the ancients didn’t see me. If we put his paintings together with the eight major paintings, we can see that the master has a strong creative energy in the ancients without being rigid. This cultural excellence of contemporary literati painting is just a model of the refinement in the refinement and the renewal in the newness.
Mr. Painting has the valuable pattern of not seeking the best for the best. Main legal services, Danqing obsession. Therefore, there is no deliberate thought of production in the door of Danqing. The opportunity of painting is born of interest, and formed from talent. It is beyond the nature of painting, and it is the nature of natural understanding of painting. Every time the pen is painted with ink, the freehand brushwork is not delusional. Touched by the visual experience of sketching, the creation of literati paintings is vivid, the most elegant style and extremely interesting.
The pen and ink are interesting, and the spirit is bleak. Painting Zen wind, write one. The painting is a skillful technique, the painting is a combination of Confucianism, Buddhism and Taoism. Each piece of work can be entered into the temple, can also be pleased with the public, a literati style of naturalism. Therefore, his literati paintings can become a positive energy to help the inheritance of Danqing culture! — Lin Zhixian (popular science writer, first-class painting and calligraphy critic)