侯建和,男、笔名山人、1952年6月出生，江苏灌南人，中文专业毕业，现居江苏淮安。兼任中国乡土艺术协会顾问、中国国际文学艺术界联合会艺委会委员、法兰西皇家画院终身院士、中央电视台书画频道签约艺术家、收藏天下全国数字电视频道学术指导与特邀艺术家。
Hou Jianhe, male, pen name Shanren, born in June 1952, from Guannan, Jiangsu, graduated with a major in Chinese, and now lives in Huai’an, Jiangsu. He is also a consultant of the China Local Art Association, a member of the Art Committee of the China International Federation of Literary and Art Circles, a lifelong academician of the French Royal Academy of Painting, a contracted artist of the CCTV Calligraphy and Painting Channel, and an academic guide and invited artist for the collection of national digital TV channels.
书法承二王书风,崇尚自然,长于楷、行、草、隶，认为学书应学古人之神韵,集山水之灵气,抒胸中之情怀,以达到形神韵的统一；艺术家的责任在于对美的创造和表现。作品多次参加国内外展出，获奖并被收藏。
Calligraphy inherits the style of Erwang’s calligraphy, advocates nature, and is good at writing regular, line, cursive, and clerical characters. He believes that learning calligraphy should learn the charm of the ancients, gather the aura of mountains and rivers, and express the feelings in the chest, so as to achieve the unity of shape and charm; the responsibility of the artist lies in the appreciation of beauty. Create and express. His works have been exhibited at home and abroad for many times, won awards and collected.
1998年应邀参加“韩国98世界美术大展”，作品被韩国碑园林收藏。1999年作品入选《全国民间工艺美术书法大展》并获“创新奖”，中国文联授予“海峡两岸德艺双馨艺术家”称号。2001年中国文联艺术指导委员会授予“中国历代书画名家（当代名家）”称号。2008年作品入选“南疆杯”庆祝广西壮族自治区成立50周年中国著名书画家艺术精品提名展并获“特等奖”。2009年诗歌荣获“中国大众文学百花奖”。多次参加慈善捐赠活动，2014年中国少年儿童文化艺术基金会授予“慈善爱心人物”称号。2015国家文化部授予“中国当代书画艺术名家”称号，并颁发《华人艺术大师》证书，2015年美国集邮集团授予“中美杰出华人艺术家”证书。2018年纽约时代广场“中国艺术大家形象展播”工程，2019年作品入选纪念中法建交55周年“巴黎卢浮宫艺术展”，受聘法兰西皇家画院院士并获皇家荣誉勋章。2019年获人民日报“全国重点推荐艺术名家”在互联网宣传报道；2020年经中国文联同意由中国国际文艺家协会出资出版大红袍版《中国传统文化名家大典书画名人侯建和卷》。2020、2021年入编中央电视台牵头中国文联等多个部门参与编辑出版的《中国艺术榜样年鉴》、《庆祝建党100周年之时代文化传播使者》大型文献。2020年在人民日报组织的《扬我国魂佑我中华》暨献礼祖国七十一华诞艺术展大赛中获一等奖并获评“人民艺术家”，2020年国务院授予“人民艺术家”。2021年央媒联盟授予“全国十佳杰出功勋艺术家”称号；入选参加《人民日报》网络“艺承百年中国艺术代表人物”十二语种全球新闻报道活动；央视华夏之声《人民艺术家》文艺中国年度荣誉人物展播。参加新加坡联合早报、欧洲艺术协会、时代周刊等用艺术向世界讲好中国故事活动，荣获“中国根——海峡两岸艺术名家对话交流”活动书法组特等奖，全国台联授予“海峡两岸和平交流使者”称号。2022年入选央视重点推荐新时代艺术领袖网络宣传活动，并入编央视《新时代人民艺术家典藏》；2022年中意文化和旅游年组委会授予“中意友好文化交流大使”;入编《中国艺术国际贸易指南》大典并荣获“国家重点推荐—走进世界艺术舞台的国艺巨匠”称号等。
In 1998, he was invited to participate in the “Korea 98 World Art Exhibition”, and his works were collected by the Korean Monument Garden. In 1999, his works were selected into the “National Folk Arts and Crafts Calligraphy Exhibition” and won the “Innovation Award”. In 2001, the Art Steering Committee of the China Federation of Literary and Art Circles awarded him the title of “Famous Chinese Painting and Calligraphy Masters (Contemporary Masters)”. In 2008, his works were selected into the “Southern Xinjiang Cup” to celebrate the 50th anniversary of the founding of Guangxi Zhuang Autonomous Region, and won the “Special Prize” for the nomination exhibition of Chinese famous calligraphers and painters. In 2009, the poem won the “Hundred Flowers Award for Chinese Popular Literature”. He has participated in charitable donation activities many times, and in 2014, he was awarded the title of “Charity Charity Figure” by the China Children’s Culture and Art Foundation. In 2015, the Ministry of Culture awarded the title of “Famous Chinese Contemporary Painting and Calligraphy Artist” and awarded the “Chinese Art Master” certificate. In 2015, the American Philatelic Group awarded the “Sino-American Outstanding Chinese Artist” certificate. In 2018, the project of “Image Exhibition of Chinese Artists” in Times Square, New York, and in 2019, his works were selected for the “Paris Louvre Art Exhibition” to commemorate the 55th anniversary of the establishment of diplomatic relations between China and France. In 2019, it was reported on the Internet by the People’s Daily as “National Key Recommended Artists”; in 2020, with the approval of the China Federation of Literary and Art Circles, the China International Association of Writers and Artists will fund and publish the Dahongpao version of “Hou Jianhe Volume of Chinese Traditional Culture Famous Artists, Calligraphy and Painting Celebrities”. In 2020 and 2021, CCTV will lead the China Federation of Literary and Art Circles and other departments to participate in the editing and publication of “Chinese Art Model Yearbook” and “Celebration of the 100th Anniversary of the Founding of the Communist Party”. In 2020, he won the first prize and was awarded the “People’s Artist” in the “Raising the Soul of Our Country and Blessing My Country” organized by the People’s Daily and was awarded the “People’s Artist” by the State Council in 2020. In 2021, the Central Media Alliance awarded the title of “Top Ten Outstanding Meritorious Artists in China”; selected to participate in the “People’s Daily” network “Century of Chinese Art Representatives” in 12 languages; CCTV Voice of China “People’s Artists” Literature and Art China The annual honorable person show. Participated in the Singapore Lianhe Zaobao, European Art Association, Time Weekly and other activities to tell Chinese stories to the world with art, and won the special prize in the calligraphy group of the “Chinese Roots – Dialogue and Exchange between Artists Across the Taiwan Strait”, and was awarded the “Peaceful Exchange Across the Taiwan Strait” by the National Taiwan Federation. Messenger” title. In 2022, he will be selected for CCTV’s key recommendation of new era art leaders’ online publicity activities, and will be included in CCTV’s “New Era People’s Artists Collection”; the 2022 China-Italy Culture and Tourism Year Organizing Committee will be awarded “China-Italy Friendship Cultural Exchange Ambassador”; included in the compilation of “Chinese Art” International Trade Guide” ceremony and won the title of “National Key Recommendation – Master of National Art Entering the World Art Stage”, etc.
名家点评
欧阳中石
中国几千年的文明史，书法占据了不可取代的重要位置。它是文化,是艺术，是不可丢弃的国宝。
随着中国科学技术的发展,越来越多文字信息的交流是靠工具传递,很多人只会谈话不会写字，加之中国现代化教学手段对汉文字书写的忽视，我感到了中国书法艺术的危机。中国书法何去何从，不能不使我们这些老的书法工作者，对书法艺术的传承和发展有些担心和忧虑。再一些书画作品集中，我多次看过侯建和的书法作品。
Celebrity Reviews
Ouyang Zhongshi
In the thousands of years of Chinese civilization history, calligraphy occupies an irreplaceable and important position. It is culture, art, and a national treasure that cannot be discarded.
With the development of science and technology in China, more and more written information is communicated by means of tools. Many people can only talk but cannot write. Coupled with the neglect of Chinese writing by modern Chinese teaching methods, I feel the crisis of Chinese calligraphy art. . Where will Chinese calligraphy go, we, the old calligraphy workers, have some concerns and worries about the inheritance and development of calligraphy art. In some collections of calligraphy and painting, I have seen Hou Jianhe’s calligraphy works many times.
在他作品面前我总是多看上几眼，欣赏之余得到几分安慰和感慨。侯建和不仅酷爱书法，生活沉溺在琴涛墨海之中不能自拔。由于他有着良好的书写素质和字外功夫，艺术的互为补偿，互为借用，互为促进，可谓落笔生花，墨趣横生。所谓书法是书写的规律和法则，古代《四体书势》、《八绝》、《三十六法》、《六体书论》等都是法，这是古人对书法的理解和经验总结。只有法度与气韵兼备，才能使作品日臻完善。
In front of his works, I always take a few glances, and I get some comfort and emotion while appreciating them. Hou Jianhe not only loves calligraphy, but also indulges himself in the sea of qin, Tao and ink. Because of his good writing quality and extra-character skills, art complements each other, borrows from each other, and promotes each other. The so-called calligraphy is the laws and rules of writing. The ancient “Four Body Calligraphy”, “Eight Absolutes”, “Thirty-six Laws”, “Six Body Books” and so on are all laws. This is the ancient people’s understanding and experience of calligraphy. . Only with both legality and rhythm can the works be perfected day by day.
法度就是指笔法、字法、章法和墨法。笔法指运笔的速度、力度及形态变化；字法是指各种字体笔画的特点和规律；墨法是作品干、湿、浓、淡、润等墨的变化；章法是指作品整体的布局，也可以说是正文、落款及印章的摆布，字与字之间、行与行之间的呼应以及线条表现力给人的直观感觉。侯建和就是遵循书法规律和法则的代表性人物。
Fadu refers to brushwork, lettering, composition and ink. Brushwork refers to the speed, strength and morphological changes of strokes; calligraphy refers to the characteristics and regularities of strokes of various fonts; ink method refers to the changes of ink such as dry, wet, thick, light, moist, etc.; composition refers to the overall layout of the work. It can also be said to be at the mercy of the text, signatures and seals, the echoes between words, lines and lines, and the expressiveness of lines giving people an intuitive feeling. Hou Jianhe is a representative figure who follows the laws and rules of calligraphy.
侯建和的书法标新立异、匠心独具、多变灵活、浑厚有力，给我留下深刻印象。此乃书见其功，后生可畏。他的作品充分体现汉字本身美的素质，合乎平正、匀称、飞动、性灵等原则的要求，其作品有势、有气、有韵，灵动之中加之有节奏的变化，笔墨豪放，典雅飘逸。
Hou Jianhe’s calligraphy is unconventional, ingenious, flexible, vigorous and powerful, which left a deep impression on me. This is a book that sees its power, and the later generations are terrifying. His works fully reflect the beauty of Chinese characters themselves, and meet the requirements of the principles of fairness, symmetry, flying, and spirituality.
他的书法作品章法善于布置,多变灵活，疏密有致，顾盼生姿，洒脱流畅。书写中通过不同的线型交替变化和发展，增强了作品的妙趣和艺术感染力。书法作品柔中有刚，秀中见奇。可谓乃笔爽爽如有神助,给读者强烈的艺术感染力，已达到雅俗共赏的效果，显示出他本人的道德修养和艺术修养。
His calligraphy works are good at layout, changeable and flexible, dense and dense, looking forward to life, free and easy. Through the alternate change and development of different line types in writing, the wit and artistic appeal of the work are enhanced. Calligraphy works are soft and strong, and show is strange. It can be said that the writing is cool and refreshing, like divine help, giving readers a strong artistic appeal, which has achieved the effect of being appreciated by both the refined and the popular, showing his own moral and artistic accomplishments.
书法艺术首先要有的是文字本身以外的欣赏性、可读性。通俗的讲就是要可看、好看、看不够，给人们带来精神上的艺术享受，这才是书法艺术的魅力。启功先生生前曾评价他的作品“下笔千均力,落墨如有神。”虽是鼓励，实不为过。
The first thing in the art of calligraphy is appreciation and readability other than the text itself. In layman’s terms, it is to be seen, good-looking, and not enough to bring people spiritual artistic enjoyment. This is the charm of calligraphy art. Before his death, Mr. Qigong once commented on his works that “the writing is a thousand times even, and the ink is like a god.” Although it is an encouragement, it is not an exaggeration.
书法继承难，创新更难，在创新之中形成自己的个性和风格难上加难。而书法只有创新才能发展也只有创新才是书法发展的目的。侯建和的书法作品借古人之本，又有自己的个性追求，学古而不泥古,他是一位难得的艺术人才。他多次在国内外参加各种书法展览，都引起了极大的反响轰动，因而他的作品有了更多的欣赏人群。
It is difficult to inherit calligraphy, even more difficult to innovate, and it is even more difficult to form one’s own personality and style in the process of innovation. And only innovation can develop calligraphy, and only innovation is the purpose of calligraphy development. Hou Jianhe’s calligraphy works are based on the ancients, and he has his own individual pursuit. He is a rare artistic talent. He has participated in various calligraphy exhibitions at home and abroad for many times, all of which have aroused great response and sensation, so his works have been appreciated by more people.
任何事物都是仁者见仁，智者见智，对艺术的欣赏应有标准，但也不能强求绝对统一，刻求一致，仁者不能责之以不智,智者不应以责之以不仁,这才是君子之道。书法艺术新生的人才是我国继承和发展书法事业的宝贵财富，我做为一个书法工作老者，有责任支持这些人、鼓励这些人、帮助这些人、保护这些人。侯建和近来由天津人民美术出版社出版的《中国传统文化名家大典书画名人卷》十分可观。这是他学艺多年的艺术结晶，值得书法工作者及书法爱好者学习和参考。对于他的书法我只是观有所得,独家之言,以求方家们的教正而已矣。
The benevolent sees benevolence, and the wise sees wisdom. There should be standards for the appreciation of art, but one cannot insist on absolute unity, and always seek consistency. The benevolent cannot be blamed for being unwise, and the wise should not be blamed for being unkind. This is a gentleman. way. The new talents of calligraphy art are the precious wealth for our country to inherit and develop the calligraphy career. As an old calligraphy worker, I have the responsibility to support these people, encourage these people, help these people, and protect these people. Hou Jianhe’s “Chinese Traditional Culture Famous Artists’ Encyclopedia of Calligraphy and Painting Famous Volume” recently published by Tianjin People’s Fine Arts Publishing House is very impressive. This is the artistic crystallization of his many years of study, which is worthy of study and reference by calligraphy workers and calligraphy lovers. As for his calligraphy, I just see what I have gained, and I only make exclusive comments, in order to seek the correctness of Fangjia.