纳斯达克艺术品收藏推荐指南——中国艺术家·姜耀南

艺术简介

姜耀南，1951年生，中国美术家协会会员，香港画院执行院长 ，中国观音艺术研究院院长，中国企业书画院副院长。姜耀南擅长人物画，是我国当代最具实力的人物画家之一，与范扬、马海方、王西京并称四大家，中国人物画徐蒋体系传承人。

Introduction to Art

Jiang Yaonan, born in 1951, is a member of the Chinese Artists Association, the executive director of the Hong Kong Academy of Painting, the director of the China Guanyin Art Academy, and the vice president of the Chinese Enterprise Painting and Calligraphy Academy. Jiang Yaonan is good at figure painting. He is one of the most powerful figure painters in my country. He is also known as the Four Masters along with Fan Yang, Ma Haifang and Wang Xijing. He is the inheritor of the Xu Jiang system of Chinese figure painting.

出版有《山乡新社员》《黑娃照相》《五二班日志》《南昌起义》《三十三观音》《怎样画观音》《姜耀南画集》《姜耀南人物画》《姜耀南水墨人物》《中国当代名家画集•姜耀南》等多部连环画及画集、画册。

Published “Shanxiang New Member”, “Heiwa Photo”, “52 Class Log”, “Nanchang Uprising”, “Thirty-three Guanyin”, “How to Draw Guanyin”, “Jiang Yaonan’s Painting Collection”, “Jiang Yaonan’s Figure Paintings”, “Jiang Yaonan’s Ink and Wash Figures”, “China” Contemporary Famous Artists Collection • Jiang Yaonan” and many other comic strips, collections and albums.

作品《歧路亡羊》《荆山遗韵》入选第七、九届全国美术作品展，《集贸市场图》获全国群星奖，《故事》获中国西部大地情全国中国画大展优秀奖，《老班子》获第六届全国工笔画大展优秀奖并被中国美术馆收藏，《守望》获第四届“汝瓷杯”全国中国画大展金奖，《大堰牛》获“鸣凤山杯”全国书画大奖赛金奖，《子龙街的黄昏》入选第五届深圳国际水墨画大展并被深圳画院收藏，《守望》获“盛世丹青”全国中国画名家邀请展优秀奖并被厦门美术馆收藏。《仕女》入选“翰墨春晓”全国当代著名国画家精品全国巡回展，《咱爹咱妈》入选“锦绣中原”全国中国画作品展，《许家湾的狮子班》入选2012全国中国画作品展。

His works “The Lost Sheep on the Crossroads” and “The Rhythm of Jingshan” were selected for the 7th and 9th National Art Exhibitions. Team” won the Excellence Award at the 6th National Gongbi Painting Exhibition and was collected by the National Art Museum of China, “Watching” won the Gold Award at the 4th “Ru Porcelain Cup” National Chinese Painting Exhibition, and “Dayan Bull” won the “Mingfeng Mountain Cup” nationally. Gold Prize in Painting and Calligraphy Competition, “Twilight on Zilong Street” was selected for the 5th Shenzhen International Ink Painting Exhibition and collected by Shenzhen Art Academy, “Watching” won the Excellence Award of “Prosperous Age Danqing” National Chinese Painting Famous Invitational Exhibition and was collected by Xiamen Art Museum. “Ladies” was selected into the “Hanmo Chunxiao” national tour exhibition of famous contemporary Chinese painters, “Our Father and Our Mother” was selected into the “Splendid Central Plains” National Chinese Painting Exhibition, and “The Lions of Xujiawan” was selected into the 2012 National Chinese Painting Exhibition.

姜耀南先生作品『狮子锣鼓』Mr. Jiang Yaonan’s work “Lion Gong and Drum”

为农民代言的画家-姜耀南

姜耀南先生是国画界的一名宿将，也是以中国水墨画来表现乡土题材的代表人物之一。中国“以农立国”，乡土写实绘画是中国本土画中影响巨大的一支，从改革开发初期罗中立的“父亲”开始，植根土地，追寻生活的乡土味，用画笔表现广袤田野上的乡里乡亲，就成为很多艺术家的追求。在这些艺术家中，姜耀南先生的水墨人物作品又有其独特之处。

A painter who speaks for farmers – Jiang Yaonan

Mr. Jiang Yaonan is a veteran in Chinese painting circles, and he is also one of the representatives who express local themes in Chinese ink painting. China “founded the country with agriculture”, and rural realistic painting is a hugely influential branch of Chinese local painting. Starting from Luo Zhongli’s “father” in the early days of reform and development, he took root in the land, pursued the local flavor of life, and used brushes to express the countryside on the vast fields. Folks have become the pursuit of many artists. Among these artists, Mr. Jiang Yaonan’s ink and wash figure works have their own unique features.

Mr. Jiang Yaonan’s work “Buddha Sunning Festival in Labrang Monastery”

其代表作“村郊牧牛”，放牧的老人家倚石而坐，布满褶皱的皮肤、粗糙的手指、皲裂的嘴唇、发黄破旧的老棉袄…… 饱含深情地刻画出了中国农民的典型形象 ，牛儿就温顺地趴在老人家脚下，老人家饱经沧桑的脸上，流露出历经苦难后坦然的微笑，这人与牛之间的那种默契，这轻轻的微笑， 深深的打动了 我们 。 这种打动，不仅来自于画家以一种求“真”的意愿表现出的画面，更深刻的，来自于画家对中国农民生存状态的深刻了解——对他们的处境、愿望以及存在问题通过自己的画笔以真实的表达。这种了解在画家“活着”系列的每幅作品中都有深刻的流露，他的《苞谷地》，《翻地》，《间苗》，《老班子》，《人生》……反映的都是最最普通的中国农民，从他们佝偻的腰身，凌乱的头发，卷起的裤脚，你看到的，是中国大地上活着的现实，是泥土中生长出来的最平凡的生活，但却是最深刻，最本真，最能打动人的东西。

His representative work “Cow Raising in the Suburbs”, the grazing old man sits against a stone, with wrinkled skin, rough fingers, chapped lips, old yellow and worn-out cotton jackets… It depicts the typical image of Chinese peasants with deep affection. The cow lay meekly at the feet of the old man. The old man’s face, which had been through vicissitudes of life, showed a calm smile after suffering. The tacit understanding between this man and the cow, this gentle smile, deeply moved us. This impression not only comes from the painter’s desire to seek “truth”, but more profoundly, from the painter’s profound understanding of the living conditions of Chinese peasants – their situation, desires and existing problems through their own brushes with authentic expression. This understanding is profoundly revealed in every work of the painter’s “Alive” series. His “Bad Valley”, “Turn the Ground”, “Thin Miao”, “Old Team”, “Life”… The most ordinary Chinese farmers, from their hunched waists, messy hair, rolled up trousers, what you see is the reality of living on the land of China, the most ordinary life growing out of the soil, but the most ordinary life. The deepest, most authentic, most touching thing.

姜耀南先生作品『天边的尕海湖』Mr. Jiang Yaonan’s work “Gahai Lake in the Sky”

中国75%以上的人口在广袤的田野上劳作生息，中国的社会结构、政治模式以及文化形态，都与其有密切的联系。农民的血液流淌在我们的血液中，扎根在我们的文化基因里，也反映在我们当下的现实中，姜先生的《守望》、《咱爹咱妈咱儿子》打动了很多人，原因也是因为他抓住了留守老人、留守儿童这一敏感的问题，以其特有的艺术的表现手法加以彰显。墨色浓重，单色的画面传递出悲伤和压抑的氛围，细腻的表情刻画和繁复的线条充满了内在的感染力，让人叹息。艺术家表现的农民形象已经远远超出了生活原型，他所代表的是我们身边的千千万万农民，是我们自己的生活，他们是和我们血脉相依的父母，是我们的遗落乡村的孩子！

More than 75% of China’s population work and live in the vast fields, and China’s social structure, political model and cultural form are closely related to it. The blood of farmers flows in our blood, is rooted in our cultural genes, and is also reflected in our current reality. Mr. Jiang’s “Watching” and “Our Father, Our Mother, Our Son” touched many people, and the reason is also because He grasped the sensitive issue of left-behind elders and left-behind children, and demonstrated it with his unique artistic expression. The thick ink color, the monochrome picture conveys an atmosphere of sadness and depression, and the delicate facial expressions and complicated lines are full of inner appeal, which makes people sigh. The peasant image expressed by the artist has far exceeded the prototype of life. What he represents is the thousands of peasants around us, our own life, the parents who depend on our blood, and the children of our villages left behind!

姜耀南先生作品『歇脚』Mr. Jiang Yaonan’s work “Rest”

姜耀南先生 毕其精力工于国画研究和创作，以传统为皈依，又不古于传统， 吸收其精华，又能够 大胆 出新，学习 借鉴西画 的 技法， 但又不拘于西画的形式，不断探索和实践， 形成 了具有强烈个人 特色的绘画风格和内在的人文品质， 通过一幅幅作品， 弘扬和丰富 了传统 国画精神， 将中国画的艺术魅力发挥得淋漓尽致，给人以 别有洞天之感。

作者： 范迪安

2012.2

Mr. Jiang Yaonan has devoted his energy to the research and creation of traditional Chinese painting. He takes tradition as a refuge, and is not old-fashioned. He absorbs its essence, and can boldly create new ideas. Through practice, a painting style with strong personal characteristics and inherent humanistic quality has been formed. Through each piece of work, the spirit of traditional Chinese painting has been promoted and enriched, and the artistic charm of Chinese painting has been brought into full play, giving people a unique feeling.

Author: Fan Di’an

2012.2

姜耀南先生作品『算账』Mr. Jiang Yaonan’s work “Accounting”

姜耀南先生作品『财望』Mr. Jiang Yaonan’s work “Fortune Hope”

姜耀南先生作品『观音大士』Mr. Jiang Yaonan’s work “Master Guanyin”

姜耀南先生作品『杨柳观音』Mr. Jiang Yaonan’s work “Yangliu Guanyin”

姜耀南先生作品『读经观音』Mr. Jiang Yaonan’s work “Reading the Scriptures Guanyin”

姜耀南先生作品『送子观音』Mr. Jiang Yaonan’s work “Send Son Guanyin”

姜耀南先生作品『易安赋辞』Mr. Jiang Yaonan’s work “Yi An Fu Ci”

姜耀南先生作品『瑶池赴会』Mr. Jiang Yaonan’s work “Yaochi to the meeting”

姜耀南先生作品『如意吉祥』Mr. Jiang Yaonan’s work “Wishful and Auspicious”

姜耀南先生作品『对弈』”The Game” by Mr. Jiang Yaonan

姜耀南先生作品『琴韵』Mr. Jiang Yaonan’s work “Qin Yun”